Category: writing influences

Flying By The Seat of My Pants

Posted on | by Rosie Travers | 1 Comment on Flying By The Seat of My Pants

I’ve just typed The End on a first draft of a new novel.

When it comes to writing, I’m  a ‘panster’. I fly by the seat of my pants. I don’t start with a plan – or at least not a rigid, set in stone plan, or even set in a notebook or on a whiteboard plan. I don’t even have post-it notes, although they do come into play later on.

A panster starts off with an idea with in their head, and inevitably finishes up with something completely different on paper.

It could be characters, or just one scene, that ignites the spark.  Once I’ve got my characters, or at least the main protagonist and antagonist, I always know how the story is going to end – it’s just how the characters get there that needs working out.  It’s not until I’m several chapters in that I stop to take stock (or run out of steam).  Then I have to think – is this going anywhere? I might go back at this point, have a bit of a tidy up before deciding whether it’s worth continuing.  The best part of being a panster is when I hit the point where the characters I’ve created start talking to me, telling their own stories. That’s when I know it’s going somewhere – although not necessarily where I would like it go.

The trouble with being a panster is that it involves a lot of  jumping backwards and forwards. As a character takes shape, or a new sub-plot forms, I have to flit back to an earlier part of the manuscript and drop in a few clues. If I were a plotter I’d have dropped the clues in as I was going along in a orderly, organised fashion.  That’s when the post-its come in, by the side of my keyboard. I jot down new ideas as the story evolves, or scribble reminders to go back and insert a reference to a now vital scene.  Add to the chapter-hopping chaos, several mugs of tea, and the occasional glass of wine (I work in the evenings when home alone) and I end a with very cluttered work-space.  That wonderful quote ‘Creative minds are rarely tidy’ could be the family motto.

If I wrote novels that required detailed research, basically I’d come unstuck. I research as a go along. Setting stories in a contemporary time frame in locations I’m familiar with may seem like a cop-out, but the mythical ‘they’ always advise you to write what you know and it does make sense.

I’d like to be able to write every day but inspiration is not always forthcoming and sometimes life just gets in the way.

Having typed those magical words ‘The End’ writers are advised to sit on a first draft for at least a couple of weeks before picking it up again.  A second draft always requires detailed refining, and then there’s the third and the fourth…

First thing this morning I woke up with a brand new scene in my head, yesterday I decided another would work so much better if character A did this, instead of character B. Of course, if I were a plotter I would have known all this right from the start.

Hey ho, back to the keyboard.

Finding Inspiration

Posted on | by Rosie Travers | Leave a Comment on Finding Inspiration

Once news of my book became public I was immediately bombarded with questions from friends, including the inevitable ‘are we in it?’ Of course I would never base any characters on people I’ve met in real life, that’s far too risky – one of the main reasons I’ve never turned my exploits as the only sane woman into LA into a book is because I don’t want to get sued. Seriously, you just can’t lift characters out of the real world and drop them into fiction.

I think most writers are great eavesdroppers, subconsciously soaking up anecdotes and snippets of information for later use. It’s a hazard of the job, and therefore inevitable that certain characteristics or personal mannerisms may well get transferred into the pages of a novel.


My two main protagonists in the Theatre of Dreams, Kitty and Tara, are both theatrical performers.  Kitty is probably very loosely based on my grandmother, a gregarious show off who was singing and entertaining well into her seventies – much to the embarrassment of  her teenage granddaughters! Although my grandmother didn’t have the ‘professional’ stage career she would have loved, she came from the era of the musical hall, part of our British cultural heritage which has gradually been lost (some might say not necessarily a bad thing!), and part of the entertainment industry in which my character Kitty would have thrived. 

The common link between Kitty and her younger counterpart Tara, is course their desire to pass on their knowledge and love of performing. Although I never appreciated my grandmother’s talents, my own daughter has inherited her genes; she started dance lessons at the age of four and loved nothing more than putting on a show. She later went on to study at the Royal Academy of Dance and qualified as ballet teacher. They always tell you to write about what you know!

As for the rest of the motley crew who grace the pages of The Theatre of Dreams, well hopefully none of my friends well recognise themselves. The love interest and there has to be one after all, is an architect. Despite what my family tell me, he isn’t deliberately based on the gorgeous George Clarke, he simply evolved from my imagination, but he does share George’s enthusiasm and passion for restoring old buildings – but there the resemblance ends. 

One of the underlying themes in The Theatre of Dreams is how repercussions of past trangressions can come back to haunt us and inevitably impact on our future. I’m a panster, as they say in the writing business, not a plotter. I fly by the seat of my pants and let the characters dictate the story. Any similarities to real life events is purely coincidental!